Nelson Polygon Clock by Vitra
designed by George Nelson
With the diversity of materials used and their sculptural shapes, these colorful clocks double as wall art. Even today, George Nelson's wall clocks remain a refreshing alternative to the usual timekeepers. The Vitra Design Museum presents a re-edition of the designs so cherished by collectors.
- Valuable as collector's items
- Dimensions: 17" diameter
- Battery included
The Vitra Home Collection is not an interior design system or a homogeneous product line which promotes a uniform style. Rather, Vitra considers the furnishing of one's home as a process of collage - a gradual assemblage of products and objects. Not to be confused with coincidental accumulation of things, this process is a conscious arrangement that grows and changes with regard to both content and style, according to the owner's individual preferences and circumstances.
Materials & MeasurementsMaterials: solid walnut
Dimensions: 17" diameter
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Environmental InformationVitra has long been concerned about a healthy environment. It is a topic that exerts influence over all that the company undertakes. For Vitra, the primary focus has always been and continues to be the longevity of the products it produces.
Since 1997, Vitra has been certified according to the DIN EN ISO 9001 and DIN EN ISO 14001 standards for quality and environmental management. Always desiring to manage resources as responsibly as possible, Vitra strives to reconcile materials, packaging and recycling processes with dwindling resources, increasingly scarce energy supplies and the ever-greater impact on the environment.
About The ManufacturerVitra has manufactured furniture designs by Charles & Ray Eames and George Nelson since 1957. Building on this foundation over the years, the company has developed a wide range of furnishings for the office, for the home and for public spaces in collaboration with progressive designers.
Founded in 1950 as a family-owned company, Vitra is known as more than just a design-oriented manufacturing company. The name also brings to mind the Vitra Design Museum, as well as a collection of modern furniture and its accompanying archive, workshops and publications on topics of design, and an architectural concept that unites buildings by Frank Gehry, Nicholas Grimshaw, Zaha Hadid, Tadao Ando, Alvaro Siza, Herzog & de Meuron and SANAA at the Vitra Headquarters in Birsfelden (Switzerland) and on the Vitra Campus in Weil am Rhein (Germany).
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George Nelson, born 1908 in Hartford, Connecticut, studied architecture at Yale University. A fellowship enabled him to study at the American Academy in Rome from 1932-34. In Europe he became acquainted with the protagonists and major architectural works of modernism. He joined the editorial staff of Architectural Forum in 1935, where he was employed until 1944. A programmatic article on residential building and furniture design, published in Architectural Forum by Nelson in 1944, attracted the attention of D.J. DePree, head of the furniture company Herman Miller. Shortly after this, George Nelson assumed the position of design director at Herman Miller. Remaining there until 1972, he became a key figure of American design, also convincing the likes of Charles and Ray Eames, Isamu Noguchi and Alexander Girard to work for Herman Miller. His collaboration with Vitra began in 1957. From 1946 onwards Nelson also ran his own design office, creating numerous products that are now regarded as icons of mid-century modernism. Nelson's office also produced important architectural works and exhibition designs. George Nelson died in New York in 1986. His archive belongs to the holdings of the Vitra Design Museum.
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