Panton Chair by Vitra
designed by Verner Panton
Because of technical progress in plastics processing, the Panton Chair has been through a number of production phases since its original launch. The last version of the chair authorized by Verner Panton was produced in collaboration with the designer at the end of the 1990s. This model realized one of his fundamental objectives for the first time: a plastic chair as an affordable industrial product.
- Stackable up to four high
- Available in basic dark, white, ice grey, tangerine, classic red, chartreuse
- For indoor or outdoor use
- Dimensions: 32.75" h x 19.75" w x 24" d
The Vitra Home Collection is not an interior design system or a homogeneous product line which promotes a uniform style. Rather, Vitra considers the furnishing of one's home as a process of collage - a gradual assemblage of products and objects. Not to be confused with coincidental accumulation of things, this process is a conscious arrangement that grows and changes with regard to both content and style, according to the owner's individual preferences and circumstances.
About the Manufacturer
Vitra has manufactured furniture designs by Charles & Ray Eames and George Nelson since 1957. Building on this foundation over the years, the company has developed a wide range of furnishings for the office, for the home and for public spaces in collaboration with progressive designers.
Founded in 1950 as a family-owned company, Vitra is known as more than just a design-oriented manufacturing company. The name also brings to mind the Vitra Design Museum, as well as a collection of modern furniture and its accompanying archive, workshops and publications on topics of design, and an architectural concept that unites buildings by Frank Gehry, Nicholas Grimshaw, Zaha Hadid, Tadao Ando, Alvaro Siza, Herzog & de Meuron and SANAA at the Vitra Headquarters in Birsfelden (Switzerland) and on the Vitra Campus in Weil am Rhein (Germany).
Materials & Measurements
Polypropylene, dyed through
Overall: 32.75" h x 19.75" w x 24" d
Seat height: 16.25"
Vitra has long been concerned about a healthy environment. It is a topic that exerts influence over all that the company undertakes. For Vitra, the primary focus has always been and continues to be the longevity of the products it produces.
Since 1997, Vitra has been certified according to the DIN EN ISO 9001 and DIN EN ISO 14001 standards for quality and environmental management. Always desiring to manage resources as responsibly as possible, Vitra strives to reconcile materials, packaging and recycling processes with dwindling resources, increasingly scarce energy supplies and the ever-greater impact on the environment.
About the Designer
Verner Panton, born 1926 in Gamtofte, Denmark, studied at Odense Technical College before enrolling at the Royal Danish Academy of Fine Arts in Copenhagen as an architecture student. He worked from 1950-52 in the architectural firm of Arne Jacobsen, and founded an independent studio for architecture and design in 1955. His furniture designs for the firm Plus-linje attracted attention with their geometric forms. In the following years Panton created numerous designs for seating furniture and lighting. His passion for bright colors and geometric patterns manifested itself in an extensive range of textile designs. By fusing the elements of a roomâ€”floor, walls, ceiling, furnishings, lighting, textiles, wall panels made of enamel or plastic into a unified gesamtkunstwerk, Panton's interior installations have attained legendary status. The most famous examples are the "Visiona" ship installations for the Cologne Furniture Fair (1968 and 1970), the Spiegel publishing headquarters in Hamburg (1969) and the Varna restaurant in Aarhus (1970). Panton's collaboration with Vitra began in the early 1960s, when the firm decided to develop what became his best-known design, the Panton Chair, which was introduced in 1967. This was also the first independently developed product by Vitra. Verner Panton died in 1998 in Copenhagen. Vitra's re-edition of designs by Panton, as well as the retrospective of his work mounted by the Vitra Design Museum in 2000, bear witness to the special relationship between Vitra and Verner Panton.